This results in an either a windy sound, or if it is strong enough, a popping sound. The air from the vocalist in turn strikes a microphone’s capsule, causing overwhelming air pressure. Plosives start when a singer or speaker pronounces certain breath heavy consonants. Since plosives are an overloading of a microphone’s capsule, due to a excessive air pressure, they typically occupy lower, bass heavy frequencies. You can remove plosives in post production by attenuating or fully cutting the frequencies they occupy. ![]() ![]() ![]() There are of course many ways to avoid recording plosives during tracking, but what if that option is long past, and you’re stuck with a plosive heavy track? Engineers have been trying to avoid plosives for as long as the voice has been recorded.
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